Record Myths The Better Records Revolution Who we are, what we do, and how we guarantee to provide you with the best sounding records you've ever heard or your money back. Debunking the "Audiophile" LP Here the Bad Audiophile LP is subjected to the punishment it deserves from our merry band of reviewers. We take no prisoners and neither should you. Why waste good money on bad sounding audiophile records?
Our Shootout Winner from 2015
Original Versus Reissue
British Artist, British Pressing... Right?
Our Shootout Winner from 2013
'60s 360 Vs. '70s Red
Putting More Bad Ideas to the Test
Are the Original Pressings the Best Sounding?
The Early Pressings Are the Best, Right?
British Guy, British Pressing... Right?
The British Imports Are Made from Dubs
The Original Pressings Are the Best, Right?
On the Red Seal Label?
London Vs. Decca, Again
Porky Not So Prime Cut
OJC versus Riverside
British Band, British Pressing, Right?
Obvious Differences Don't Seem to Register
White Hot on the '70s Red Label? Can You Really Be Serious?
Bad Audiophile Thinking on My Part, Circa '82
1981 Parlophone Mono Reissue
Another Question: Original Is Better?
British Band, British Pressing... Right?
Is the 1s Pressing Always the Best?
The Earliest Stampers Sound the Best, Right?
Another Audio Myth Explodes
The Gold Labels Are the Best, Right?
The Originals Are Better, Right?
Is The Pink Label Always The Hot Ticket?
Good, Bad and Otherwise
Do All the Pressings Have to Sound Like CDs?
His First Four Albums Are Best on Import, Right?
Well, Almost...
Which Pressing Sounds Better, the Brit SYL or Domestic Asylum?
The Original Beatles Pressings Are the Best, Right?
on a Mythical Pink Island
Diminishing Returns in Audio?
Your Guess Is As Good As Mine
Harry Pearson Is Losing It
Hint: Ignore Conventional Wisdom
The British Pressings Are the Best, Right?
